When I put the blinders on and zero in upon the task at hand, all I can think about is widening the margins.
When I put the blinders on and zero in upon the task at hand, all I can think about is widening the margins.
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My boss asks to borrow the book. Months pass. I ask for it; she denies having it. Leaving work, I spy it in her car’s back seat. The book was Janet Malcolm’s Psychoanalysis: The Impossible Profession. She was a psychology grad student in a clinical internship.
I lend him the new book before I even read it. He returns it quickly: underlined, highlighted, dog-eared. “Consider it a gift,” I tell him.
An iron spray trellis for roses; an iron arch for hyacinth vines; iron resistance at the gym; marshalling an iron will at lunch.
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She pauses the stroller, plucks a honeysuckle, and inhales the elixir from its antenna; her child makes a mental entry in his Journal of Human Activities.
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The colorblind postal clerk shows me a sheet honoring Bill Mauldin, describing it as “the newest in the African-American series.” * Here is a photo of Pulitzer Prize-winning cartoonist Bill Mauldin: (AP file photo)
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From a box of things, the long-sleever fits. I wear it to work, musing that I’d rather have Dad present than his perfect shirt.
Vintage postcards from antique malls and yard sales get scanned as blog entries, annotated, then used as bookmarks in his library.
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Miss Thing leads me to a table, her two-inch claws ten shades of brown, with glitter. My BBQ plate, by comparison, is a flat Sienna.
Leagues below, grasses sway in cilia motion, vacillating, turning gray. At the surface, oil doublets waltz in a widening crescent.
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